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  THE STORY OF TECHNOVIKING usb flash driver format tool ufix-iiDONATE
documentary film, 2015/16, 50min short edit & 90min full edit
 

What if the world invents a hero from your image but you don't want that?

"The Story of Technoviking" is a case study on a successful meme, one of the early viral videos on YouTube. The example shows the contemporary situation where user behavior gets in conflict with more than 100 years old laws that our legal system is based on.

The documentary follows the phenomenon of the Technoviking Meme over 15 years from an experimental art film to a viral video that inspired an internet community to the creation of an art figure, thousands of remixes, besides countless other forms of reactions, and finally put the producer of the original artifact into the court room. Originally filmed in public space at a political demonstration and shared many million users, the clip's images can't be removed anymore from the collective memory nor be deleted from the servers that are located all around the world.

More than 20 Interviews with artist, lawyers, academics and fans mix their opinions with a big variety of online reactions and show the dilemma that is created when our fundamental right of the protection of our personality is in conflict with our fundamental right of free speech. And how can one make a film on a subject, that is not allowed to be publicly shown?

[Directors Statement] Today almost every citizen is represented in the social media, for example with a Facebook account. There to publish, share and forward audiovisual material is a default behavior. And by this condition so is the violation of rights by third parties. Because of the massive amount of shared content most of these violations are not even detected. Only a small percentage ends up in front of a judge. But is the court room really the place to discuss new cultural phenomena like internet memes for example? How can a better way be achieved to deal with this new culture and the new behavior of citizens? What is the direction that our culture and society needs to develop in the future?
 

For more information on the meme goto the
TECHNOVIKING ARCHIVE


 

 

Usb Flash Driver Format Tool Ufix-ii

UFiX-II USB Flash Drive Format Tool — Overview & Usage

The Ultimate Guide to the USB Flash Driver Format Tool UFX-II: Recovery, Repair, and Optimization

Published by: Tech Recovery Labs
Reading Time: 8 minutes

USB Flash Drive Format Tool: UFix-II — Handbook

Step 6: Execute the Format

Click "Start," "Format," or "Execute." A warning dialog will appear confirming data loss. Click Yes.

Issue D: Format Successful but Windows Still Won’t Recognize

  • Solution: Go to Disk Management (diskmgmt.msc). Manually assign a drive letter (right-click the partition → Change Drive Letter and Paths → Add).

Common use cases

  • Drives unrecognized by Windows/File Explorer
  • Drives showing wrong capacity (e.g., 8 GB shown as 128 GB)
  • Repeated I/O errors or frequent disconnections
  • Device stuck at 0 bytes or with RAW filesystem
  • Write-protected flash drives that standard tools can’t fix

Use Cases & Common Fixes

| Problem | UFIX-II Solution | |---------|------------------| | Drive shows “0 bytes” or “RAW file system” | Rebuilds partition table and boot sector | | 64GB drive shows only 8MB | Clears corrupted controller metadata to restore real capacity | | “The disk is write-protected” (no physical switch) | Removes software-based write lock flags | | Format fails at 99% in Windows | Performs forced sector-by-sector reset | | Drive not recognized in Disk Management | Brings device back to “basic MBR” state | usb flash driver format tool ufix-ii


4. Typical UFix-II tasks and step-by-step procedures

Note: Exact menu names vary by UFix-II versions. The steps below are generic and map to common functions.

A. Restore partition and filesystem (safe, non-destructive if possible) UFiX-II USB Flash Drive Format Tool — Overview

  1. Connect the drive to a stable USB port (avoid hubs).
  2. Launch UFix-II and verify the drive is listed.
  3. Choose “Scan” or “Analyze” to detect partitions and filesystem structures.
  4. If UFix-II finds a recoverable partition table, use “Restore Partition Table” or equivalent.
  5. If filesystem errors are reported, choose “Repair Filesystem” or “Fix FAT/exFAT”.
  6. After repair, safely eject and reinsert the drive; verify files and capacity.

B. Format filesystem (destructive)

  1. Ensure you have a backup/image.
  2. In UFix-II select the target device.
  3. Choose desired filesystem: FAT32 (compatibility), exFAT (large files, modern), NTFS (Windows-only features).
  4. Select “Quick Format” for speed or “Full Format” to overwrite all logical areas.
  5. Start operation and wait — do not disconnect during process.
  6. Verify the drive’s size and ability to write/read files.

C. Reconditioning / Low-level reflash (higher risk) Solution: Go to Disk Management ( diskmgmt

  1. Image the drive first; reconditioning may alter controller firmware.
  2. Use UFix-II’s “Factory Reset”, “Chip Reconditioning”, or “Controller Repair” options.
  3. Follow prompts: some reconditioning tools require selecting a manufacturer mapping or ID.
  4. After completion, run a full format and capacity check. If capacity remains incorrect, the device may be a counterfeit or have failed NAND.

D. Remove write-protection

  1. If UFix-II detects write-protection at controller level, use “Disable Write Protect” or equivalent.
  2. If unsuccessful, try vendor-provided utilities or reconditioning; hardware locks or fused controllers may be irreversible.

Q5: Is UFX-II safe from malware?

A: Only download from verified repositories (e.g., MajorGeeks, PortableApps, or the developer’s site). Some malicious sites bundle adware. Always scan the executable with Windows Defender before running.


  The work on the film wouldn't be possible with the generous support of these people:

Accociate producer: Marc Kanzenbach

Donors: Achilleas Kentonis, Akeli Mieland, Aksioma - Institute for Contemporary Art, Alessandro Drescher, Alessandro Ludovico, Alex Kozina, Alexander Bootz, Alexander Lacher, Alexander Lauert, Alexander Schibalsky, Alexandros Salapatas, Almut Ilsen, Anastasia Chrysanthakopoulou, Andreas Hübner, Andreas Huth, Andreas Kotes, Andreas Krüger, Andreas Schuster, Angela de Weijer, Anna Heinzig, Annabel Lange, Annet Dekker, Antonio Gonzales Paucar, Arjon Dunnewind, Armin Mobasseri, Barbara Seelig, Benjamin Meier, Benjamin Zierock, Carmen Billows, Carmen von Schöning, Carsten Stabenow, Carsten Wagner, Carsten Wilhelm, Chris Piallat, Christian Bucher, Christian Claus, Christian Palmizi, Christoph Knoth, Christoph Schwerdtle, Christoph Wermke, Christoph Willems, Chrysovalantou Karga, Claudia Schuster, Claudia Wittmann, Clemens Lerche, Clemens Wistuba, Dale Greer, Daniel Fabry, Daniel Krönke, Daniel Memhardt, Daniel Rakete Siegel, Daphne Dragona, David Schmidt, David Wnendt, Davinder Sandal, Dieter Sellin, Dieter Vandoren, Dina Boswank, Dirk Unger, Dominik Halmer, Dorna Safaian, Ed Marszewski, Eduard Stürmer, Elias Scheideler, Elizabeth Wurst, Elvira Heise, EMAF Festival, Eno Henze, Eugen Wasin, Evgenia Palla, Federico Bassetti, Federico Missio, Fee Plumley, Felix Dittmar, Felix Grünschloß, Felix Herrmann, Felix Vorreiter, Florian Blum, Florian Geierstanger, Frank Botermann, Frank Dietrich (Zechnick Himmelfaart), Franz-Josef Schmitt, Fufu Frauenwahl, Gabriele Voehringer, Geoffroy Ribaillier, Giorgio Giardina, Gordan Savicic, Guillermo Federico Heinze, Günter Kuhns, Hannah Cooke, Hannes Kiesewetter, Heidrun Fritsch, Henning Arnecke, Hermann Noering, Iain Cozens, IMPAKT Festival, Ines Wuttke, Ioannis Arvanitis, Ira Schneider, Isaak Broder, Ivan Shakhov, James Redfern, Jan Katsma, Jelena Colic, Jens Gerstenecker, Joachim Steinigeweg, Johan Weigel, Johanna Hoetjes, Johannes Fritsch, Johannes Marx, John Butler, John Deamer, Jose Diego Ferreiro, Juergen Eckloff, Julia Jochem, Julius Schall, Karolina Serafin, Katerina Gkoutziouli, Kathleen Rappolt, Katrin Duffke, Kathrin Keller, Kenny Stanger, Kieran Black, Kika Kyriakakou, Kilian Ochs, Klaus Neumann, Lars Thraene, Lea Gscheidel, Leopold Solter, Lucio Basadonne, Magdalena Vollmer, Manuela Putz, Marc Kanzenbach, Marco Melluso, Marco Trotta, Maren Kiessling, Margret Olafsdottir, Maria Konioti, Mark Braun, Markus Wende, Martin Diering, Martin Heinze, Matthew Denton, Matthias Matanovic, Maurits Boettger, Melanie Jilg, Michael M. Dreisbach, Michael Pierce, Miguel Ribeiro, Mischa Kuball, mursu909, Nadin Tettschlag, Nick Cripps, Nicolas Stumpf, Nikos Dimitrakakos, Nils Menrad, Oliver Schmid, Pat Amoesta, Patricia Röder, Patrick Krolzik, Peter Gräser, Philipp Engelhardt, Philipp Hahn, Philipp Scholz, Reimar Servas, Reinhard Bock, René Lamp, Rikard Bremark, Robert Lippok, Robert Utech, Roland Dreger, Ronald The, Ronnie Grob, Rupert Hoffschmidt, Sabine Koziol, Sam Schlatow, Sancto Russell, Sandra Fauconnier, Scott MacFiggen, Sebastian Felzmann, Sebastian Standke, Sigurd Bemme, Siim Leetberg, Simon Ruschmeyer, Sina Dunker, Sonja Möse, Stamatis Schizakis, Stefan Fischer, Stefan Frielingsdorf, Stefan Kilz, Stefan Schubert, Stefano Simone, Stephan Kaempf, Stephan Probst, Stephen Kovats, Susanna Jerger, Ted Sonnenschein, Thomas Kupser, Thomas Mühlberg, Thomas Müller, Thomas Reiner, Tidi Tiedemann, Tillmann Allmer, Tilmann Vogt, Tim Pritlove, Tim Waters, Timo Haubrich, Timo Kaerlein, Timo Steuerwald, Timothy Wenzel, Tobias Kraft, Tobias Wootton, Torsten Landsiedel, Ulf Aminde, Vijay Mirpuri (ACID BUDA), Wolfgang Fritsch, Wolfgang Senges, Wolfgang Ullrich, York Wegerhoff