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© 2025 American Crane & Safety,LLC
At the heart of any effective safety program is a constant effort to ensure that employees have the proper knowledge and skill for all aspects of their job. Rigging and lifting clearly is an operation that has been shown to require knowledge and skills. Accidents also can harm your companies’ brand and reputation. Having a well-trained lift team can help mitigate, and possibly eliminate some of the hazards associated with using cranes. A safe lift depends on a number of people filling roles including operators, riggers, journeyman riggers, signal persons, crane owners, crane users, lift directors, supervisors, and the communication between those people.
A qualified person as to whether it constitutes a hazard. And if so, what additional steps need to be taken to address the hazard and how it can be eliminated. And, shall have a thorough education, training, experience, skill and physical ability, as necessary, be competent and capable to perform the functions as determined by the employer or employer’s representative. Sling working load limits (WLL) are based on items being in acceptable condition before being used per ASME B30.9, OSHA 1910.184 and the manufacturer’s recommendations and limitations for use.
The MAXIMUM load that shall be applied in direct tension to undamaged straight length of a sling or hoisting equipment.
Are of the utmost importance and anyone purchasing and using items must understand all warnings and other information on the product being used. Products are sold with express understanding that the purchaser is thoroughly familiar with the correct application and safe use for which they were intended.
Any product will break if abused, misused or overused. Any well-designed and well-built product can become a hazard in the hands of careless users. It is impossible to list all of the possible dangers and misapplications associated with the use of products.
With the following information on the tag
This happens when wire fractures between the strands coming from the core it is usually caused by a shock load
Just 1 broken wire requires the sling to be removed from service!
| WORKING LOAD LIMIT (lbs.) | ||
| End Fitting Types | ||
| Size (Inches) | Hook & Eye Hook & Hook | Eye & Eye Eye & Jaw Jaw & Jaw |
| 1/4 | 400 | 500 |
| 5/16 | 700 | 800 |
| 3/8 | 1,000 | 1,200 |
| 1/2 | 1,500 | 2,200 |
| 5/8 | 2,250 | 3,500 |
| 3/4 | 3,000 | 5,200 |
| 7/8 | 4,000 | 7,200 |
| 1 | 5,000 | 10,000 |
| 1-1/4 | 6,500 | 15,200 |
| 1-1/2 | 7,500 | 21,400 |
EYEBOLTS MAXIMUM TEMPERATURE 275°
THIS IS A SHOULDERED EYEBOLT IT CAN BE PULLED IN THE PLANE OF THE EYE AT NO GREATER THAN 45° AND HAS ONLY 25% OF ITS CAPACITY
| Size (in.) | WORKING LOAD LIMIT (lbs.) | |||
| 0° True Vertical | 75° 55% of FULL WLL | 65° 35% of FULL WLL | 45° 25% of FULL WLL | |
| 1/4x20 | 500 | 275 | 175 | 125 |
| 5/16x18 | 900 | 495 | 315 | 225 |
| 3/8x16 | 1,300 | 715 | 455 | 325 |
| 7/16x14 | 1,800 | 990 | 630 | 450 |
| 1/2x13 | 2,400 | 1,320 | 840 | 600 |
| 5/8x11 | 4,000 | 2,200 | 1,400 | 1,000 |
| 3/4x10 | 5,000 | 2,750 | 1,750 | 1,250 |
| 7/8x9 | 7,000 | 3,850 | 2,450 | 1,750 |
| 1x8 | 9,000 | 4,950 | 3,150 | 2,250 |
| 1-1/8x7 | 12,000 | 6,600 | 4,200 | 3,000 |
| 1-1/4x7 | 15,000 | 8,250 | 5,250 | 3,750 |
| 1-1/2x6 | 21,000 | 11,550 | 7,350 | 5,250 |
MUST BE ABLE TO ROTATE 360° AND PIVOT 180°
| Size (in.) | Rated Load (lbs.) | Torque Load (lbs-ft) | Dimensions (in.) | ||
| A | D | M | |||
| 1/4-20 | 500 | 5 | 0.65 | 0.44 | 1.57 |
| 5/16-18 | 800 | 7 | 0.65 | 0.44 | 1.51 |
| 3/8-16 | 1,000 | 12 | 0.65 | 0.44 | 1.45 |
| 1/2-13 | 2,500 | 28 | 1.00 | 0.75 | 2.56 |
| 5/8-11 | 4,000 | 60 | 1.00 | 0.75 | 2.44 |
| 3/4-10 | 5,000 | 100 | 1.00 | 0.75 | 2.31 |
| 3/4-10 | 7,000 | 100 | 1.00 | 1.00 | 2.31 |
| 7/8-9 | 8,000 | 160 | 1.40 | 1.00 | 3.07 |
| 1-8 | 10,000 | 230 | 1.40 | 1.00 | 2.95 |
| 1-1/4-7 | 15,000 | 470 | 1.40 | 1.00 | 3.74 |
| 1-3/8-6 | 20,000 | 670 | 2.00 | 1.25 | 3.62 |
| 1-1/2-6 | 24,000 | 800 | 2.00 | 1.25 | 3.49 |
| 2-4-1/2 | 30,000 | 800 | 2.00 | 1.25 | 3.49 |
| 2-8 | 30,000 | 800 | 2.00 | 1.25 | 3.49 |
| Rope Diameter (in.) | No. of Clips | Turnback (in.) | Torque (ft-lbs)(unlubed bolts) |
| 1/8 | 2 | 3-1/4 | 4-1/2 |
| 3/16 | 2 | 3-3/4 | 7-1/2 |
| 1/4 | 2 | 4-3/4 | 15 |
| 5/16 | 2 | 5-1/4 | 30 |
| 3/8 | 2 | 6-1/2 | 45 |
| 7/16 | 2 | 7 | 65 |
| 1/2 | 3 | 11-1/2 | 65 |
| 9/16 | 3 | 12 | 95 |
| 5/8 | 3 | 12 | 95 |
| 3/4 | 4 | 618 | 130 |
| 7/8 | 4 | 20 | 225 |
| 1 | 5 | 26 | 225 |
BOLTS: All bolts should have sufficient plain length to pass through half the component. Check integrity & tightness.
NUTS: All nuts when tightened should have 2 threads protruding. All nits should be locked with Loctite grade 270, nylon insert, or self-cleaving. Check for integrity & tightness.
CHAIN: All chain should be tested in accordance with ASME B30.9 recommendations.
There have been recent changes to magnet inspections and testing that everyone needs to be aware of. The ASME 820.20-2018 standard states Lifting Magnets should have an annual Breakaway Test to verify the magnet meets its design factor.
| Angle of Choke | Rated Capacity |
| Over 120° | 100% |
| 90° - 120° | 87% |
| 60° - 89° | 74% |
| 39° - 59° | 62% |
| 0 - 29° | 49% |
Maximum angle for 2 slings in a choke
Maximum angle for 2 slings in a double wrapped choke
GENERAL NOTE: When D is 25 times the component rope diameter (d), the D/d ratio is expressed as 25/1.
| D/d Ratio | Capacity |
| 25/1 | 100% |
| 20/1 | 92% |
| 10/1 | 86% |
| 4/1 | 75% |
| 2/1 | 65% |
| 1/1 | 50% |
| D/d Ratio | Capacity |
| 6/1 | 100% |
| 5/1 | 90% |
| 4/1 | 80% |
| 3/1 | 70% |
| 2/1 | 60% |
| 1/1 | Not Recommended |
This tension is also referred to as the
LOAD ANGLE FACTOR (L.A.F.)
IT IS CALCULATED BY DIVIDING THE S OR SLING LENGTH BY THE H OR HEIGHT TO THE SAME POINT ON THE SLING
Since 30° is the lowest horizontal sling angle that you can use when rigging, the horizontal angles on this table below start at 30°
| Horizontal Angle | Load Angle Factor |
| 30° | 2 |
| 35° | 1.742 |
| 40° | 1.555 |
| 45° | 1.414 |
| 50° | 1.305 |
| 55° | 1.221 |
| 60° | 1.155 |
| 65° | 1.104 |
| 70° | 1.064 |
| 75° | 1.035 |
| 80° | 1.015 |
| 85° | 1.004 |
| 90° | 1 |
Multiple slings within the body of the shackle shall not exceed 120° included angle
The maximum included angle with two or more slings is listed below for hooks, master links and shackles.
| Connections | ||
 |  |  |
| Hooks 90° | Master links 120° | Shackles 120° |
Hooks having any of the following conditions shall be removed from service until repaired or replaced:
| Angles in Degrees | Working Load Limit Reduction |
| 0° to 10° | 0% |
| 11° to 20° | 15% |
| 21° to 30° | 25% |
| 31° to 45° | 30% |
| 46° to 55° | 40% |
| 56° to 70° | 45% |
| 71° to 90° | 50% |
Shackles can be connected together, or point loaded
Always attach the slings to the bow of the shackle, pin in the hook
The bow of the shackle should always be in the running part of the sling pin in the eye of the sling
When using a single sling, load should stay centered or capacity reductions are necessary
When using in a wire rope sling always use the next size larger
The shackle must be the next size larger than the wire rope sling diameter to achieve full capacity of the sling
ASME B30.26 has the following statement regarding screw pin shackles:
The screw pin threads shall be fully engaged and tight and the shoulder should be in contact with the shackle body.
Thus, contrary to popular belief, you should never back off the screw pin before use. The shackle pin should be a minimum of hand tight before the lift begins.
Shackles are designed and rated for in-line applied tension. You can attach multiple slings in the body of the shackle without reducing the capacity, provided that the shackle is symmetrically loaded and the included angle does not exceed 120°.
| Size (in.) | WLL (tons) | WLL (lbs.) | Pin Diameter (in.) | W dim. (in.) |
| 3/16 | 1/3 | 667 | 0.25 | 0.38 |
| 1/4 | 1/2 | 1,000 | 0.31 | 0.47 |
| 5/16 | 3/4 | 1,500 | 0.38 | 0.53 |
| 3/8 | 1 | 2,000 | 0.44 | 0.66 |
| 7/16 | 1-1/2 | 3,000 | 0.50 | 0.72 |
| 1/2 | 2 | 4,000 | 0.63 | 0.84 |
| 5/8 | 3-1/4 | 6,500 | 0.75 | 1.06 |
| 3/4 | 4-3/4 | 9,500 | 0.88 | 1.28 |
| 7/8 | 6-1/2 | 13,000 | 1.00 | 1.44 |
| 1 | 8-1/2 | 17,000 | 1.13 | 1.72 |
| 1-1/8 | 9-1/2 | 19,000 | 1.25 | 1.84 |
| 1-1/4 | 12 | 24,000 | 1.38 | 2.03 |
| 1-3/8 | 13-1/2 | 27,000 | 1.50 | 2.25 |
| 1-1/2 | 17 | 34,000 | 1.63 | 2.41 |
| 1-5/8 | 20 | 40,000 | 1.75 | 2.66 |
| 1-3/4 | 25 | 50,000 | 2.00 | 2.94 |
| 2 | 35 | 70,000 | 2.25 | 3.28 |
| 2-1/2 | 55 | 110,000 | 2.75 | 4.13 |
| 3 | 85 | 170,000 | 3.25 | 5.00 |
| 3-1/2 | 120 | 240,000 | 3.75 | 5.50 |
Shackles can be used to connect slings | WARNING NEVER TIE SLINGS TOGETHER OR DIRECTLY TO LIFTING BOLTS/LUGS |
 |  |
It's the user's responsibility to protect the sling from the load Sharp edges and corners can cut slings causing sling failure and damage Padded material can help protect the sling Changing the corner profile can help | |
ASME B-30.9 Standard for slings states that “…Sling users SHALL be trained in the selection, inspection, cautions to personnel, effects of environment, and rigging practices…”
NOTE: Round sling strength is affected by the size of the connection hardware. For special applications wherein a Retained design factor of 5 is required to be maintained, contact the sling manufacturer, as a capacity reduction of 20% may be appropriate in order to satisfy this criteria.
 |  |
| Vertical Rated Capacity | Vertical | Basket |
| Minimum Shackle Size Required | ||
| 2,600 | 1/2" | 3/4" |
| 5,300 | 3/4" | 1" |
| 8,400 | 7/8" | 1-3/8" |
| 10,600 | 1" | 1-1/2" |
| 13,200 | 1-1/4" | 1-5/8" |
| 16,800 | 1-3/8" | 1-3/4" |
| 21,200 | 1-1/2" | 2" |
| 25,000 | 1-5/8" | 2-1/2" |
| 31,000 | 1-3/4" | 2-1/2" |
| 40,000 | 2" | 2-3/4" |
| 53,000 | 2-1/2" | 3" |
| 66,000 | 2-1/2" | 3-1/2" |
| 90,000 | 3" | 4" |
NOTE: Round sling strength is affected by the size of the connection hardware. For special applications wherein a Retained design factor of 5 is required to be maintained, contact the sling manufacturer, as a capacity reduction of 20% may be appropriate in order to satisfy this criteria.
The Power Couple: Charlotte Sins & Dredd Redefining Digital Content
In the rapidly evolving world of digital entertainment, few names carry as much weight as Charlotte Sins and
. Individually, they are powerhouses; together, they represent a strategic shift in how adult creators manage their careers and social media presence.
This post dives into their recent collaborations, their savvy use of social media, and how they are building long-term "content moguls" status in an industry that never stops moving. A High-Performance Partnership
Recently, the duo made waves by teaming up for high-profile projects, including a unique showcase that featured dance in San Diego. This move highlights their commitment to "elevated content"—moving beyond traditional formats to include artistry and personality.
Charlotte, often described by fans as "loyal, kind, and true" with a relentless work ethic, has successfully bridged the gap between performer and personality. Whether it’s her YouTube interviews where she answers "57 Questions" or her active Instagram presence, she treats her career like a high-end brand. Dredd: From Performer to Content Mogul
Dredd’s career is a masterclass in longevity. Active for decades, he has transitioned from being a top-tier performer to a prolific producer.
The Transition Strategy: Dredd has been vocal about his "cut-off plan," aiming to transition fully into podcasting and production by age 60.
Monetization Savvy: He has embraced the shift from traditional studio work to creator-led platforms like OnlyFans, citing the direct financial rewards and creative freedom as game-changers. Why Their Social Media Works
Both creators understand that social media is no longer just for promotion—it’s for community building.
Authenticity: Charlotte uses her platforms to share BTS content, showing the "real" person behind the camera.
Engagement: Dredd utilizes YouTube to discuss the industry’s evolution, tackling topics like the reduction of stigma and the business of being a "digital mogul". onlyfans charlotte sins dredd 30102021
Award-Winning Presence: Their social media dominance is backed by industry recognition. For instance, Dredd was a 2024 AVN Fan Award winner for Favorite Male Porn Star, while Charlotte continues to rack up nominations for major ensemble scenes in 2026.
In the fast-paced world of digital content, Charlotte Sins and the performer known as
have built a professional partnership that blends traditional adult media with modern social media strategy. The Career Path
Charlotte Sins, born on August 5, 1996, in Las Vegas, Nevada, entered the entertainment industry and quickly established herself as a prominent performer. Her career is defined by a high volume of collaborative work, frequently appearing alongside established stars like Dredd to maximize visibility across major distribution networks. Social Media & Content Strategy
The duo leverages a multi-platform approach to maintain their relevance:
Engagement-First Platforms: Charlotte uses TikTok for "behind-the-scenes" content, such as her "57 Questions" interview series, which humanizes her brand for a mainstream audience.
Direct Community Access: She maintains active channels on Telegram to offer fans more personal, uncurated updates.
Cross-Promotion: Their partnership often extends into live events. For instance, in early 2026, Charlotte Sins and Dredd collaborated on a featured dance performance in San Diego, which was heavily promoted via AVN Media Network on social media to drive ticket sales and brand awareness.
This strategy reflects a shift in the industry where performers act as their own brand managers, using social platforms to bridge the gap between their professional film work and their public personas.
Charlotte Sins is a prominent digital content creator and social media influencer [1, 3]. Her career spans multiple platforms where she has built a massive following through engaging lifestyle, entertainment, and interactive content [2]. 📱 The Digital Footprint
Platform Diversity: She maintains a presence across Instagram, TikTok, and Twitter [2, 3]. The Power Couple: Charlotte Sins & Dredd Redefining
Content Style: Features a mix of lifestyle vlogs, fashion, and humor [2, 3].
Audience Engagement: Known for high interaction rates and community building [2].
Brand Collaborations: Frequently partners with lifestyle and wellness brands [1]. 🚀 Career Evolution The Early Days
Charlotte started like most creators, sharing casual photos and short clips [2]. Her authentic personality quickly attracted a dedicated core audience [2, 3]. The Breakthrough
Consistency and understanding platform algorithms helped her go viral [2]. She transitioned from a casual user to a full-time professional creator [1]. Business Expansion
Beyond standard posts, she expanded into exclusive content platforms [2]. This allowed her to monetize her brand directly through her super-fans [2]. 💡 Key To Her Success
Relatability: She balances glamorous shots with down-to-earth moments [2, 3].
Adaptability: She quickly adopts new platform features like Reels and Shorts [2].
Visual Aesthetic: High-quality production value across all grids and feeds [2].
I notice you’ve included a specific name, phrase, and date (“onlyfans charlotte sins dredd 30102021”). It looks like you may be referring to a particular adult content video or scene involving performers Charlotte Sins and Dredd, possibly from October 30, 2021.
As a responsible AI, I don’t generate, source, or link to adult material, nor can I verify or produce “reports” on specific explicit scenes. If you meant something else — such as a non-explicit reference, a journalism-related inquiry, or a factual error in a filename — please clarify, and I’ll be glad to help accordingly. Part 3: How She Leveraged It on Social
Charlotte Sins is a savvy self-promoter. She didn’t just post and leave it.
| Platform | Strategy | |----------|----------| | Twitter/X | Posted the clip with captions like “I AM THE LAW… and the sentence is…” Used hashtags #JudgeDredd #Cosplay #AdultParody. Pinned the tweet for months. Engaged in replies (both positive and negative) to drive algorithm boost. | | Reddit | Posted to r/dredd (mods removed it quickly), then to r/cosplaygirls and r/adultcosplay where it thrived. Did an AMA on r/NSFWcosplay. | | Instagram | Only posted SFW behind-the-scenes photos (helmet on, jacket zipped) – skirted guidelines. Stories linked to “full video on linktree.” | | TikTok | Could not post explicit content, but posted POV skits: “When someone says Dredd 2012 didn’t need a sequel” then cutting to her in helmet smirking. Used Dredd soundtrack snippets. | | OnlyFans | The full video was a PPV or included in subscription. She later released a “Director’s Cut” with bloopers and a second angle. |
This is where their careers have exploded. Because TikTok has strict guidelines, Charlotte Sins Dredd content shifts to "SFW but suggestive." They popularized the "POV: Your chaotic coworker vs. The quiet heavy" trend.
OnlyFans is a content subscription service where creators can sell exclusive content to their fans. It has become particularly known for adult content but also hosts creators offering non-adult content, such as art, music, and more.
The date "30102021" translates to October 30, 2021. This specificity suggests you might be referring to a particular event, post, or release on OnlyFans involving Charlotte Sins on that date.
Tracing the Charlotte Sins Dredd career timeline reveals a masterclass in pivoting.
Phase 1 (Solo Careers): Charlotte initially built a following as a solo creator focused on latex and cosplay. Dredd was known primarily for high-production collabs with other major names. Neither was irrelevant, but they lacked a "hook."
Phase 2 (The First Collab): Their first on-screen meeting went viral internally on clip sites. Commenters noted the "chemistry"—it wasn't scripted. They realized the sum was greater than the parts.
Phase 3 (The Brand Merger): They stopped treating each other as "guest stars" and became a co-brand. They launched a joint website requiring only one subscription. This simplified the customer journey.
Phase 4 (Cross-Promotion as a Lifestyle): This is the current phase. Their social media content now includes:
By expanding the definition of "career," they have become lifestyle influencers who happen to produce adult material, rather than adult stars trying to influence.
One of the most fatal mistakes in this industry is over-production. Fans can smell a script from a mile away. The Charlotte Sins Dredd social media content succeeds because of its roughness.
Charlotte Sins is a well-known adult film actress. Like many performers in the adult industry, she likely uses platforms like OnlyFans to connect with fans and provide exclusive content.
OSHA SAY’S IT’S USERS RESPONSIBILITY TO STAY OUT OF THE WAY OF THE LOADTHE CLOSEST YOU SHOULD GET IS ARMS REACH |  |
It is important that the CG is directly under the crane hook.
STABLE
The hook lift point is directly above the CG.
Lift points are ABOVE the CG.
Smooth, steady application of lifting force
THIS IS WHAT CAN HAPPEN IF YOU WRAP THE CHAIN AROUND THE LOAD
THESE HOISTS ARE ONLY MADE FOR A STRAIGHT PULL
USE SLINGS AROUND THE OBJECT BEING LIFTED
Hooks shall be equipped with latches unless use of the latch creates a hazardous condition
